Join us on May 14 at BEYOND THE MUSIC Benefiting Project 440 Youth Education Programming.

Project 440

Thank you for supporting our Citizen Artists

Thank you for making our $44K+ For Project 440 campaign a success. Thanks to our Project 440 community, we raised $46,084 from 97 individuals and surpassed our fundraising goal. We are immensely grateful for this generosity and to John McFadden and Lisa Kabnick for providing a matching grant of $45,000! With the support of our growing community, we will be able to offer more opportunities for Philadelphia youth to explore their creativity, envision their future, and discover the joy of service. THANK YOU!

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Project 440 is a Wawa Foundation Hero Award Finalist

Vote for Project 440 to win $50,000

Project 440 is thrilled to announce that after receiving more than 402 submissions, The Wawa Foundation has named us one of four finalists for its “2024 Wawa Foundation Hero Award." This honor is to be given to a non-profit organization, and its volunteers, serving Philadelphia by providing services that build stronger communities through preserving our independence, protecting our safety and mentoring and inspiring our youth. With your vote, we could win $50,000 to support our free afterschool programs for Philadelphia youth!  

We are so proud of our students and are honored to receive this recognition for Project 440 and our young citizen artists. With your vote, we can make an even greater impact in our community and serve more Philadelphia youth. THANK YOU! 


      vote for us by June 28

wINNER ANNOUNCED ON jULY 4tH

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Pathway Resources for University of the Arts Students

On May 31, Philadelphia's University of the Arts (UArts) announced that it will close on June 7. Students who are personally impacted by this abrupt decision likely have many questions. You may have friends and classmates who are currently enrolled, were planning to start in the fall, or were considering applying to UArts who also have questions.  

While we are still learning why UArts made this abrupt decision, we want to offer a forum for you, your friends, parents, and caregivers to ask questions and receive more information. 

Cigus Vanni, aka the "College Fairy" and a college admissions expert who is the lead teacher of Project 440's Instruments for Success program, can answer your questions. You can email Cigus directly at Cigus@cigus.net.

Cigus Vanni, leads an introductory workshop about the college search and selection process for All City Orchestra Summer Academy (ACOSA) students at the Mann Center.  July 2023.

The closure of UArts is shocking and a significant loss for Philadelphia. The academic community has quickly responded. UArts' partner schools, Temple University, Drexel University, and Moore College of Art and Design, are offering seamless transfer pathways for UArts students. Temple University leadership has announced that they are exploring the possibility of a merger. 

Along with the partner schools, many colleges and universities in the Philadelphia region and beyond are also devising plans to welcome UArts students to their schools. 

We have reached out to schools that have participated in our annual College Fair for Musicians and, with their support and cooperation, have compiled a still-growing list of schools that are providing resources and or a pathway for UArts students at their schools. You can access and download the list here.  

Additionally, the Accepted portal (not associated with Project 440) has compiled a list of resources for UArts students and faculty. You can access more information and resources, including a list of participating schools, here.

Project 440 is committed to supporting our students and community during this transition. Please email Cigus Vanni if you have questions or would like more information!



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MEET PROJECT 440 TEACHING ARTIST HANUL PARK

This month, we introduce you to Teaching Artist Hanul Park, who teaches Project 440’s Doing Good and Instruments for Success programs. Hanul is a bassoonist and freelance musician who plays throughout the Philadelphia region. She performs with the Princeton Symphony Orchestra, Ocean City POPS, and various ensembles in New York and the Tri-state area. Hanul teaches bassoon and chamber music at Swarthmore College, works with the Delaware County Youth Orchestra, and has a small private bassoon studio.

“Music was always a Big Part of my Life.”

Hanul grew up in a musical family. Her dad is a church musician with a Doctor of Musical Arts in choral conducting and says of her childhood, “Music was always a big part of my life!” Her first instrument was the violin, which she played through high school. She also grew up playing the piano and still plays occasionally for church.

Hanul’s parents taught at a Korean language school on Saturdays when she was in seventh grade. Her dad invited some of his colleagues to introduce various instruments to the students each week. When it was the bassoon class, her mom was curious about the instrument, so she got to observe that session with her students. She fell in love with the bassoon and thought it would be nice if one of her daughters could play the instrument, so Hanul started playing it a year later! She says, “Bassoon is my favorite instrument, but I always wanted to play the cello and the French horn.”

From Korea to Philadelphia

Hanul was born in the United States and moved to Korea when she was a few months old, where she spent her early childhood. She and her family moved back to the U.S. when she was nine, lived in Boston, and then moved to Oklahoma when she was a sophomore in high school. Hanul attended the Peabody Institute of the Johns Hopkins University in Baltimore for her undergraduate studies, then Yale School of Music for her master’s, and came to Philadelphia to attend the Curtis Institute of Music for her post-baccalaureate diplomas. 

Hanul Park performing in the Curtis Symphony Orchestra

“I Constantly Learn from our Students”

Hanul leading Doing Good

Hanul says, “My favorite part of teaching Doing Good is the opportunity to constantly learn from our students and be a part of their lives. Our students care deeply about our communities, and I’m inspired by their passion and thoughtfulness in our discussions.”  

Hanul also teaches Instruments for Success, Project 440’s college readiness and career pathways program. She says, “Growing up in an immigrant family, I was the first person to go to college in the U.S. from high school. Although the college application process was difficult to navigate at the time, I love that I now take part in helping our students through their journey. Another favorite aspect is teaching alongside our college fairy, Cigus Vanni! I’m always amazed by our guest speakers and their multi-faceted careers.”

On the Stage and Off

Hanul says she loves performing Mozart’s late Piano Concertos. She’s performed most of the Beethoven Symphonies but hasn’t had a chance to play his 3rd Symphony and would love to perform it someday! 

She loves yoga, going to the gym, trying new recipes, and exploring coffee. She also enjoys spending time outside in nature and camping with her husband and their dog, Coda.

Hanul advises her students toDo your best, take pride in all aspects of your life – you never know who you’ll meet and what will come out of it. And be kind to yourself!”

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Meet Project 440 Teaching Artist Nozomi Imamura

Nozomi Imamura, Doing Good Teaching Artist

This month, we introduce you to Teaching Artist Nozomi Imamura. Nozomi teaches Project 440’s Doing Good program alongside Hanul Park. Nozomi is a musician, educator, skateboarder, and coffee aficionado! He is a trumpet player who performs with various ensembles, including the Allentown Symphony, Chamber Orchestra of Philadelphia, Opera Philadelphia Orchestra, and the Philadelphia Ballet Orchestra, where he is nearing the end of a 31-performance marathon of The Nutcracker.

From Australia to Philadelphia

Nozomi was born in Australia, lived in Japan and Germany, and grew up in Charlotte, North Carolina, before moving to Philadelphia in 2009. He began playing the piano at two and the euphonium at 9. He shared, “However, once I started playing the trumpet at 11, I became so captivated by it that I stopped playing other instruments. He received his bachelor's degree from the Curtis Institute of Music and master's degree from the Yale School of Music, both in trumpet performance. He returned to Curtis to complete the Community Artist Fellowship program.

Getting Involved with Project 440

Nozomi was a Community Artist Fellow at Curtis in 2017 and was eager to learn more about how music becomes a vehicle for change. His mentor (now a great friend), Mary Javian, told him about Project 440 and its work. Nozomi says, “I knew I wanted the opportunity to work with the organization. I reached out to Founder Joe Conyers, talked over coffee, and the rest is history.” Nozomi has taught the Doing Good program since 2018. 

Hanul Park and Nozomi Imamura teaching Doing Good

Seven Schools Throughout the City

In addition to teaching at Project 440 and his busy performance career, Nozomi teaches music to students in fifth through twelfth grades. Each week, he travels to seven schools located all over the city. As an instrumental music teacher, Nozomi has to know how to play all woodwind and brass instruments. He says, “I am thankful I don’t have to teach string instruments; otherwise, my head would explode!”

Nozomi says, “My favorite part of teaching is witnessing the growth and development of students, both academically and personally, and knowing that you have played a role in their learning journey is rewarding. Additionally, having the ability to be creative in lesson planning and finding innovative ways to engage students, making the learning experience enjoyable, has also helped me become a better trumpet player.”

 Teaching Doing Good

Nozomi shared the biggest difference between being a classroom teacher and Doing Good Teaching Artist. “I don’t use my trumpet to teach Doing Good. It took some time for me to feel comfortable conducting lesson plans without the comfort of holding my instrument. My favorite aspect of teaching Doing Good is meeting incredibly talented and passionate students. They never cease to amaze me with their creativity, compassion, and willingness to make a positive impact in our communities.”

 Nozomi advises young artists with multi-faceted careers to focus on improving time management and organizational skills. He also recommends finding a way to destress. For him, it's cooking and working out.

Nozomi and Doing Good student Rasmey at Community Association for Music’s service-learning project.

Look for Nozomi on his electric skateboard

Nozomi says, “I go everywhere with my electric skateboard! It's such a great way to get around the city. If you spot someone on a skateboard with an instrument case on their back, that's probably me!”

 His favorite music to perform is Sibelius. He shared, “I love Sibelius symphonies. So far, I’ve performed four of them (out of the seven), and I hope to play the rest of his symphonies one day. He also loves coffee and said, “I love coffee so much that I built my own coffee bar at home, consisting of an espresso machine, grinder, kettle, and a ton of mugs and gadgets. I enjoy a good cup of cortado or a pour-over.”

Nozomi Imamura and Hanul Park at the Temple University Center City Campus, where Project 440 holds its afterschool programs.

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Meet Project 440 Alum Dillon Scott

Dillon Scott (center) won third place at the 2023 Sphinx Competition Senior Division.

Dillon Scott is from Lansdale, Pennsylvania. He attended North Penn High School and is a Project 440 alum who also performed with the Philadelphia Youth Orchestra and was the principal viola in his senior year of high school. He is currently studying viola with Roberto Díaz and Edward Gazouleas at the Curtis Institute of Music. Dillon loves reading and watching documentaries, specifically about sociology and science fiction. He says, “I like to go on walks and participate in meditative activities when I need to get some new perspectives.”

Dillon recently spoke with Project 440 about the Chamber Music of Black Composers, a program that he proposed, researched, and curated. Dillon and an ensemble of 15 Curtis musicians will perform the program on December 6 at the Curtis Institute of Music and December 9 at All Hallows Church in Wyncote. The program includes:

David Baker, Roots II Piano Trio

George Walker, String Quartet No. 1

Samuel Coleridge Taylor, Clarinet Quintet in F-Sharp Minor, op.10

Eleanor Alberga, String Quartet No.2  

Researching the Composers and About the Program

I spent many weeks in the Curtis Library and Archive researching as many composers and pieces as I could. I took notes and tried to find as many music scores as I could. I also spent a lot of time online looking for commercial recordings of each piece to hear as many references as I could. I researched between 20-30 composers and about 50-60 works. In all, it took around six months to decide on the program.

Chamber Music of Black Composers

Each of the four composers I selected was influenced by the different environments they were surrounded by during their lifetime. Eleanor Alberga is Jamaican, and she spent much of her career as an improviser; Samuel Coleridge-Taylor is English and was alive during the high of the romantic tradition; George Walker was American and was very influenced by the modernist and academic musical movements of the 20th century, and David Baker, who was also American was prominent in the world of jazz.

I selected the music due to its instrumental contrast. After I decided on the two quartets, I wanted to include other instrumental disciplines to bring the school together symbolically and so I chose to add the piano trio and the clarinet quintet. 

Each piece offers a contrast to the others, creating a nicely balanced program. The Coleridge-Taylor is the lightest and most similar to other European pieces in the canon, the Baker has the most symbolic meaning when relating to African American idioms, and the Alberga is a brilliant, more abstract piece that evokes dance and rhythm unlike any of the others. Finally, the Walker is a wonderful mid-century piece that fuses all of the artistic movements that had converged in the early decades of the 20th century, namely, modernism, impressionism, romanticism, and neoclassicism.

My Vision for Chamber Music of Black Composers

Dillon shared why he wanted to create Chamber Music of Black Composers

Countless black voices throughout the centuries have contributed to this art form and have gone unnoticed for too long. In recent years, however, there has been more of a push to rediscover and celebrate this music that has been in the shadows since its conception. I figured that in light of recent developments within the industry and the world at large, it was time Curtis did something to take part in this new renaissance, as I believe this is the way of the future. 

These works are becoming more commonly played, so I want to create an opportunity for students to become familiar with them so they can call upon this experience later in life. I want to expose the works to the faculty as well so that when they coach the pieces, they are also taking part in this process and could be inspired to play them as well.

My wish is for these performances to be posted online for anyone to see them. Since Curtis is a flagship institution, I see it only fitting that Curtis pioneers the championing of these works, which will inevitably signal to other organizations to do the same.

I want this event to bring the community together and bring Curtis to certain people who otherwise may not be inclined to come to our performances. Lastly, I want to inspire people to strive for the things they believe in, no matter how large or small they may be. 

Connecting with the Community

I was hoping that Chamber Music of Black Composers would succeed, but I was unaware of how much excitement would surround it as the project has gained momentum. From students at school to administrators, to other arts organizations, to employees at Target, this project is bringing the community together and raising awareness about this music to magnitudes I could only have dreamed of. I also was not expecting it to end up being as involved as I ended up becoming, but I do not regret a single moment I spent along the way because it allowed me to grow and learn and pursue this vision to the greatest extent that I could. 

Where to hear Chamber Music of Black Composers

Performances will be given at Carver High School and The Philadelphia High School for Girls. The General Public can reserve free tickets for performances on December 6 at Curtis and December 9 at All Hallows Episcopal Church.

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A Letter From Joseph Conyers to Project 440 Students and More

The following letter was posted on social media on June 2nd as a response to #BlackOutTuesday, a social media movement aimed to bring light to the events plaguing our nation. The letter is Joseph's response to a discussion he had with Project 440 students and alumni.

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Dear Students:

I spoke with some of you recently about all that’s been going on in our world. It’s overwhelming; it’s frightening. It's sad.

I also mentioned I’ve never been a fan of using social media to make “statements.”  Those platforms can be such caustic and combative environments; I choose to stay out of the noise. My "statements," instead, are lived daily; action is how I respond to adversity. That said, I'm not blind to what’s going on in our country; I’m also not surprised by it. It's why I write to you now.

As a black man, I’ve had my share of experiences that have upset me and a few that have scared me a bit, too. Our world is far from perfect, and while that’s no excuse for injustice, it’s been the dark reality in this country for hundreds of years. It’s why the heinous and untimely deaths of our black brothers and sisters hurt so much.

When faced with challenges - there are many ways one might respond. One might feel anger. One might feel rage. One might want to crawl up into a ball and cry, and that’s okay. I’m certainly not going to tell you how you should feel or how you should react - that’s personal. We all grieve in different ways. 

While you may not have seen me protesting in the streets, I've been actively protesting for years. The sign I carry is the color of my skin, and my message to the world has been my advocacy for you.

We want the world to be perfect. It isn’t.  We want the world to be full of love; sometimes all we might see is hate.

But, stand firm.

To my black students, don’t be discouraged. Walk with your heads held high.  Our ancestors survived the insurvivable, and their blood runs through our veins. Our lives do matter. Let your light shine as a daily reminder to all.

Let music be your inspiration.  Bring your authentic selves to the concert hall - unabashedly. Music belongs to all of us. Music making is a celebration of our individual and shared experiences in the world. You have a place on that stage. Claim your spot; own it.

Practice boldly (and often 😉). Lead by example. Use your art to tell your story. Stand up for what is right; don’t settle. You can’t make others love you, but you can inspire them with how you love others. Don’t rewrite the narrative, write your own books. Provide pathways for those who can’t forge a path of their own. Advocate for each other. 

Be a good person.

When feeling powerless to make change in the world, start by sowing your own seeds of goodness for the future. You can make a difference.

Love hard; play hard; and know that y’all make me proud every day.

Love,
Mr. Conyers

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Project 440 Student Spotlight: Javon Miner

Meet Project 440 Doing Good student, Javon Miner! Our interview highlights how participating in Project 440 has influenced his outlook on a career in the arts.

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Q. Can you tell me about yourself and your relationship with music?

My name is Javon, and I’m an actor from Philadelphia. Even though acting is my main passion, I’ve also dabbled with music. I’ve been playing the drums for awhile now, and I’m currently trying to learn how to play the piano.

Q. How did you hear about Project 440 and what is your involvement with us?

I heard about Project 440 in late 2018. They came to my school to promote it to my class.


Q. I heard that you thought there might be a “catch” to Project 440 providing a stipend to students for completing our programs; after being in Doing Good for a whole year, what is the verdict?

When they told the class that they are willing to pay students who are involved in the program, the first thought in my mind was that there was a catch, but after being in the program I realized that there wasn’t anything suspicious about it. It was straightforward in fact. You had to be there and do the assignments. That’s it. Your attendance and the work you do is counted toward you stipend.

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Q. Has participating in Doing Good changed the way you view music and the arts as a career path?

Being apart of the Project 440 program helped me understand that music is not only something that gives people pleasure. It can also be used as medicine. Music can be a way that people cope with problems they may have. It can also be used to convey certain messages and meanings to its audience.

Q. Has Project 440 helped you in pursuing your future goals?

Ms. Susanna is the person who teaches my class alongside Mr. Nozomi. She contacted a friend of hers and and helped set up a meeting for me and her friend to discuss my real-estate interest. After that I was offered an internship with the firm. All thanks to my teacher.

 

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Music Made Me

By Megan A. Speight, Project 440 Marketing Committee Chair

 “Did you practice?”

My mother always asked me this retched question about 5 minutes into the car ride on the way to my violin lessons. My response was usually the same, going through the motions of looking into her rearview mirror and mumbling something unrecognizable before continuing to eat my snack. Her response was always one of disappointment but at the end of the day, she knew deep down I loved the instrument and the relationship I had with it.

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I started taking violin lessons at the age of 4 following the Suzuki method. However, my love for music didn't start there. My mother played all types of music for me while she was pregnant and I took a Mommy and Me music class that started when I was about 6 months old. My mother played piano growing up and was adamant that my brother and I also played instruments.

Playing the violin gave me opportunities and confidence that I may not have so easily obtained without it. I never had the opportunity to have stage fright because starting at 5 years old I played concerts for family which later evolved to recitals that featured my violin teacher’s other students. I participated in Suzuki play-ins at the Franklin Institute for years and was one of hundreds of students contributing to filling the halls of the historic museum. Most importantly, at my Grandmother’s orchestration, I began playing at church. In front of the entire congregation. My brother and I were members of our youth choir, but let’s be real, my real talent was playing the violin. I was able to captivate audiences through my voice personified through my instrument. I was small, but my sound and presence were mighty. Seeing a need for another youth activity, the Church Orchestra was formed with my brother and I as founding members. Being in church orchestra allowed me to strengthen my leadership skills, teaching other musicians how to read music and leading my small violin section. To this day, many of my family members and older Church members recognize me as “the girl with the violin” and some even ask if I still play. Unfortunately, I decided to take a break from playing once I graduated High school. Springside School was where I started playing and Springside School was where I had my final recital at my Senior Assembly. One day I plan to pick my old buddy back up, but for now, we are continuing to take some time apart.

While I no longer consider myself a musician, music is what has made me the woman I am today. Through music, I was able to make connections with people, practice new skills and through music, I feel at home. Growing up, my Grandmother not only ensured I was utilizing and showcasing my leadership and musicianship skills at church and beyond, but she also ensured I knew the importance of giving back. Not just to those who helped me get to where I am, but also to my direct and extended community. Growing up I participated in many days of service and participated in a reading program that directly contributed to my mother’s alma mater, Francis D. Pastorius Elementary School. I also have fond memories of riding to D’Ambrosios’s bakery to pick-up rolls that were included in platters that my Grandmother served to the homeless through our church. Ironically, I can still remember how amazing they smelled and how delicious they tasted coming fresh out of the over. My grandmother was also a founding member of our church scholarship committee and also preached the importance of an excellent education. Both my grandparents preached this to me while I was in their care and my parents were living proof of it and set the example for my brother and I on a daily basis. This commitment to service is what spurred my interest and later commitment to serving my community.

After graduating from George Mason University, I moved back to Philadelphia to pursue my Masters at Drexel University. While I was physically home, I felt as though something was missing from my life. Going to work and hanging out with friends only occupies so much of your time and as a millennial, I grew up with a booked calendar of extra-curricular activities. I knew I needed to use my time wisely. I was reminded of my commitment to service and made it a priority once I had finished Grad school and was settled in a job to find an organization that was a mutually good fit for me give back to my community through. After a great deal of research, I was connected to Project 440 through the Young Involved Philadelphia Board Prep Program. With my talents and passion for the arts and supporting my community, I knew that board service was a natural next step in my commitment to giving back. Project 440’s mission, to engage, educate and inspire young musicians, providing them with the career and life skills they need to develop into tomorrow's civic-minded, entrepreneurial leaders, has and will continue to have a seismic impact on students. Many young musicians need support from organizations offering programs such as the ones at Project 440 to feel encouraged to continue with their passion or have a community to know that they can use their current passions to help evolve them into incredible human beings. I am proud to help continue the legacy and impact that music has on students through my service work with Project 440. I hope that more individuals in my generation step-up to keep music in schools or return them to schools and ensure organizations like Project 440 have the longevity to support and encourage student musicians and students interested in music for generations to come.

More About Megan:

Megan A. Speight is an experienced public relations and communications professional with over 6 years’ experience in the industry. She has worked in both the nonprofit and for-profit sectors working for organizations such as Comcast, The Franklin Institute and the National Constitution Center. In her current role as Public Relations Manager at Maternity Care Coalition, Ms. Speight focuses her efforts on media relations, developing and implementing public relations plans, supporting the Fund Development and program staff with events, and co-manages all of the organizations’ social media platforms. Most notably, Ms. Speight has worked on the PA Safe Sleep campaign, a multi-media campaign promoting safe sleep practices for families with newborns, where she manages social media ads, purchased over $150,000 in SEPTA ads, developed a radio PSA, and managed the production of a hospital waiting room video.

Ms. Speight is a native of Wyndmoor, Pennsylvania, but currently resides in Philadelphia. She is a graduate of Springside School, obtained her B.A. in Communications from George Mason University and her M.S. in Public Communication from Drexel University. She is the Deputy Director of Public Relations for WIM Global, a Blogger for the Red Cross of Southeastern Pennsylvania, Chair of the Marketing Advisory Committee for Project 440 and a member of the Junior League of Philadelphia.

 

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Project 440 Donor Spotlight: Peter "Tad" LeVan

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Meet Tad LeVan, Donor and Project 440 Board President! Tad is the man behind the scenes, ensuring that our Board is running like a smooth oiled machine. Our interview highlights what drives Tad to give so much to our organization and the important role music has and continues to play in his life.

Q: How did you get to know Project 440?
Back in 2014, my daughter Elena was being inducted in the Tri-M Music Honor Society at Washington Township High School in New Jersey. Joseph Conyers, Project 440’s Executive Director, gave the keynote address at the ceremony.  I was blown away by Joseph’s passion, motivation and vision for using music as a tool to teach important career and life-skills to high school students.  I walked right up to him after the ceremony ended and offered to help any way I could!

Q: What inspired you give to Project 440 as a donor and as a working Board member in your current capacity?
Music has always been an important part of my life.  I was completely taken with the idea of using music to develop educational, entrepreneurial and community-engaging programs to provide direction, assistance and professional advancement to young people.  And, of course, you cannot speak of inspiration without recognizing Joseph himself: His joy, passion and excitement for Project 440 is contagious. It’s impossible to hear Joseph speak and not want to be part of his vision to change the world for the better.  So right from the start I was excited to support Project 440, both financially and by serving on the Board.

Q: Why do you think our work is important?
Our country’s public secondary education system primarily focuses on providing students with substantive knowledge in particular subject-matter areas.  Even in well-administered and fiscally solvent districts, secondary schools rarely provide opportunities for students to develop the entrepreneurial and community-engaging skill sets that are so necessary to thrive in today’s world.  Project 440 fills that gap and provides important service and support in those critical skill areas. As our mission aptly states: “Project 440 engages, educates and inspires young musicians, providing them with the career and life skills they need to develop into tomorrow's civic-minded, entrepreneurial leaders.”

Q: What is your personal connection to music?
I have happily been involved with music my entire life.  When I was younger, I played piano and trombone, and also performed in several professional musical theater productions.  Even after becoming a trial attorney, music has remained a critically important part of my life. Over the years, I have sung with numerous choral groups, including the Cleveland Orchestra Chorus, Choral Arts of Philadelphia, and most recently Choral Arts of Southern New Jersey.  In addition, within the past few years I have returned to the stage in musical theater productions after a 30-year hiatus. I have always loved performing in front of an audience but I now have the added benefit of causing great embarrassment to my children! I consider that a win-win.  

Q: How did the skills you developed through your musical involvement/activities help in your career or inform your work approach?
Needless to say, there are numerous similarities between performing onstage and being a trial attorney.   Skills in public speaking, story-telling, and relating to an audience – to name just a few – easily transferred to my professional life and provided a solid foundation upon which to build.  But just as importantly, my early involvement in music taught me how to work within an ensemble, showed me the importance of consistently practicing your craft, and helped me develop the necessary grit to persevere through challenging situations that inevitably arise in any professional setting.  

Music is magical:  It has been a constant pillar in my life and will undoubtedly continue to play a central role in my years to come.  I am immensely grateful to have the opportunity to work with Project 440 and share the power of music with the next generation.

Photo from Tad performing.

Photo from Tad performing.

 

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